1. Rudy and the Reno
Bops – “Rudy’s Monkey” (1964)
Sounds like an early Stax instrumental but Rudy Tee
Gonzalez y sus Reno Bops were out of San Antonio, Texas where they recorded
this for the Crazy Cajun, Huey P. Meaux, and his Tear Drop Records.
2. James Rivers –
“Bird Brain” (1966)
When Ian Whiteman entered the studio to record the first
Mighty Baby album producer Guy Stevens turned to him and asked what he had in
his hand. “A flute,” said Ian. “I don’t do flutes,” replied Stevens. Taking a hard-line
mod approach you can see where Stevens was coming from yet mods down the Scene would've blocked along merrily to "Bird Brain". Rivers takes the standard
“Hi-Heeled Sneakers” pattern, adds some blues harp, and then drops in some out
of sight funky flute.
3. Sandie Shaw –
“Heaven Knows I’m Missing Him Now” (1969)
So this is
where Morrissey got that title. Must
acknowledge Tony Fletcher’s excellent A Light That Never Goes Out Smiths biography for bringing it to my attention, not only for Smiths trivia but because it’s the best song I've heard by Sandie. Also, it was only the other
day Mrs Monkey and I both simultaneous twigged the name Sandie Shaw is a
play on Sandy Shore. In all my days the thought had never crossed my mind. Der!
4. The Mayberry
Movement – “Two Wrongs Don’t Make A Right” (1974)
I don’t know anything about The Mayberry Movement but in
my mind’s eye they’re dressed in yellow flared suits with large lapels, chunky
Mr Silly shoes, velvet bow ties, have huge afros (apart from a short
balding fella on the end), and are doing a clumsy dance routine on Tops of the
Pops after being introduced by a kiddie fiddler or sex pest.
5. Tim Maia – “Brother
Father Mother Sister” (1976)
Maia was the Brazilian Funk/Soul Godfather who named his
first four albums Tim Maia; bought
hundreds of hits of acid in London to take back to Brazil to share with friends
and unwitting record company employees; converted to a religious sect; only
wore white clothes and played white instruments; and waited for a flying saucer
to come and rescue him from earth. Find out more about this fruitloop on The Existential Soul of Tim Maia a
highly recommended new collection released by Luaka Pop.
6. The Sunchymes –
“Revelations In Her Mind” (2009)
Always a good sign when bands use “a garage Y” in their
name. This isn’t garagey though; more a bedroom Brian Wilson from their
charming long-player Let Your Free Flag
Fly.
7. Chicros – “Can’t
Stand Me Now” (2011)
If only some French musicians would do a doo-wop version
of the Libertines song…
8. Neil Young & Crazy Horse – “Driftin’ Back” (2012)
People are given “Be nice to me I gave blood” stickers when
they’ve given an armful as it can make them feel a little weak; which brings me to Psychedelic Pill. Old Shakey and his nutty
horsemen spend an hour and a half meandering through a mere nine tracks; the
first alone, “Driftin’ Back”, clocks up nearly 28 minutes before Neil
says he’s going to get himself a hip-hop haircut and disappears. Anyone
managing to take the whole pill in one thoroughly exhausting sitting deserves a medal, let
alone a sticker. I'm off for a lie down.
9. DC Fontana –
“Pentagram Man (Don Fardon Vocal Version)” (2012)
I wasn’t overly impressed when I saw 60’s freakbeaters
The Sorrows recently but did wonder what Don Fardon would sound like given
something new to sing. Lo and behold, up he pops lending his lungs to a swirly-soul version
of the recent DC Fontana track.
10. The Lovely Eggs –
“The Castle” (2012)
They’ve been edging towards something like this for a
while and here it is closing their new - and best so far - LP, Wildlife: a dark droning psychedelic maelstrom tastier than all the sausage rolls in Lancaster.
No comments:
Post a Comment