Showing posts with label oslo hackney. Show all posts
Showing posts with label oslo hackney. Show all posts

Friday, 16 October 2015

JIM JONES AND THE RIGHTEOUS MIND at OSLO, HACKNEY


For whatever reasons, and I don’t know what they were, contenders for the most exhilarating live band to fill my ears and eyes, the glorious Jim Jones Revue, disbanded a year ago; now Jim’s back in town to show he still really knock ‘em down.  

The set falls into three sections. The first is a clattering cauldron of percussive voodoo rhythms and guttural chanting to summon the spirits and stir the soul. Jim leads the mantra "Give Everything, Take Everything" before the blood curdling debut single 'Boil Yer Blood' mixes up the medicine with three parts Screamin’ Jay Hawkins and one part a torn-off half-riff scrap of ‘Sunshine Of Your Love’.

Jones is the master of ceremonies, as always, but he keeps Gavin Jay on bass from the Revue and the pair are flanked by a Marilyn Manson lookalike keyboard player and pedal-steel player who lays on the ghoulish effects. Behind them, sitting in on drums, is the unmistakable bearded figure of Bad Seed and Grinderman Jim Sclavunos; who fits like a black glove with the gothic nature of proceedings. My red shirt being a rare splash of colour in the blackest of seas.

In keeping with the apparent intention to create a new distinct identity away from Jim’s previous bands (add Thee Hypnotics and Black Moses to the list), there’s a notable lack of guitar wailing and a slow three song segment with Jay playing what to my ignoramus mind is a double bass with a bow, plus Jim singing in a lower, softer register cements this. In a live setting some of the subtleties of these more cinematic, almost Tom Waits tinged songs, probably get lost and ‘1000 Miles From Sure’ benefits from listening to the recorded version.

After this interlude, Jay straps his bass on again, bashing away at his knees like all great bassists, and the pedal-steel makes way for another guitar. From here on in we’re back on familiar ground, albeit with unfamiliar songs. No matter, they’re instant adrenaline rushes. Two guitars held out front and the Righteous Mind are rocking the joint. The two encore songs – one making me think of a bastardized offspring of John Lee Hooker’s ‘Big Legs, Tight Skirt’ – bring the already smouldering pot of bone crunching gumbo stew to the boil. 

Sunday, 24 May 2015

THE PRIMITIVES live at OSLO, HACKNEY


Back in the late 80s the Primitives were bona fide pop stars. Credible ones too, who came up through the indie ranks to mainstream success. One could find them on a Thursday night’s Top of the Pops playing their latest hit single, pull a Tracy Tracy poster from the pages of Smash Hits, read a NME cover story, then catch them live on Saturday morning telly breaking out into an unrehearsed version of the Stooges’ “I Wanna Be Your Dog”. It was an impressive feat and great whilst it lasted.

The Primitives’ reformation in 2009 came with little fanfare from the band, the music press or the general public. They simply eased themselves gently back: a gig here, an EP, a gig there, an album of 60s covers, more gigs, and then an LP of new songs and my album of 2014, Spin-O-Rama.

Currently doing a short tour they’re engaged in a new type of balancing act: that of the songs from their original three albums (1988-91) and those from the revitalised band. Across a near 20 song set there’s a roughly and 50/50 spilt and the beauty being every song is equally welcome. Everything fits together. There’s no this-is-from-our-new-album sinking feeling, just bang-bang-bang, one high octane buzzsaw thumper followed by another twisty jangler.

Early 45s “Buzz Buzz Buzz” and “Stop Killing Me” are succeeded by 2014 duet “Lose The Reason”; “Spin-O-Rama” is sandwiched between a throbbing “Sick Of It” and trippy “Thru The Flowers”; “Petals” sits next to older cousin “Spacehead”; radio favourite “Crash” slips into the whirling “Dandelion Seed”; a menacing “Rattle My Cage” makes way for an audience participating “Way Behind Me” and so on. It’s a relentless flow of punky-pop, sparkling without being overly polished.

Throughout the gig, the audience jostle amongst a television crew from Brazil. It might not be Top Of The Pops any more, and you’re more likely to read about them on a blog than the published music press, but The Primitives still look and sound to me like credible pop stars, and cultish underground ones at that. And those are always the best.