APRIL PLAYLIST

1. Carl Perkins – “Put Your Cat Clothes On” (1957)
Cos yer gonna need something to go with those blue suede shoes.

2. Jerry Butler – “Giving Up On Love” (1964)
When The Iceman jumped from The Impressions he created a wonderful two-for-the-price-of-one deal with both acts lavishing us with treasures. This stunning ballad will stop you in your tracks, especially when Jerry delivers the line “I’m giving up on love, before love gives up on me”. Listen out also for the “My Lovely Horse” sax solo.

3. The Granville Williams Orchestra – “Honky Tonk Ska” (1965)
The title only tells half the story. Jazz and soul tell the other half. Works though.

4. Manfred Mann – “If You Gotta Go, Go Now” (1965)
Years before anyone got to hear Dylan’s original the Manfreds slayed it with this high speed version.

5. Nina Simone – “Don’t You Pay Them No Mind” (1967)
From her modestly titled High Priestess of Soul LP. It sacrilege in some circles but her warbling style often grates with me, but I’ll give her this one.

6. Swamp Dogg – “Total Destruction To Your Mind” (1970)
Jerry Williams is best known in northern soul circles for his crusty 1966 classic “If You Ask Me” yet when he reinvented himself in 1970 as a giant rat riding Swamp Dogg he came up with something altogether more interesting. Swamp’s first LP runs through seriously good southern soul which belies his nutty persona, and lowdown psychedelic funk like this title track.

7. Link Wray – “Fire and Brimstone” (1971)
Sanctified country soul isn’t what Wray is best known for, but it’s what he delivers throughout his terrific eponymous ’71 album recorded in a chicken shack on his farm. If you ever end up round Bobby Gillespie’s gaff after a night on the razz, I’ll bet you’ll find him sticking this on and doing his demented pterodactyl dance.

8. Johnny Thunders and the Heartbreakers – “Born To Lose” (1977)
Remember Vaughan Toulouse from Department S? Try listening to this without singing “Vaughan Toulouse, Baby I’m Vaughan Toulouse” on the chorus.

9. Senseless Things – “Too Much Kissing” (1989)
During the great indie long-sleeved t-shirt wars of the late 80s/early 90s the Senseless Things’ own Pop Kid creation - a star shaped mod target – was, relatively speaking, a design classic. They were at their best as a full throttle bash-bash-bash live act but had a few memorable tunes as “Too Much Kissing” shows.

10. Cat’s Eyes – “I Knew It Was Over” (2011)
Mesmerizing.
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"...AND MONKEY MUST SCORE."

Like a lumbering centre forward with no goals for a while, I’m suffering from a lack of confidence. Chances are being teed up but instead of smashing them in, I’m bottling it completely or laying off a little sideways pass to a team mate. Just about keeping up with play but the fans are getting twitchy. Let’s think back to those wasted opportunities.

There was the Angelheaded Hipsters morning at the National Theatre where the Beat Generation was discussed by a panel including underground figures Barry Miles and Michael Horovitz; actors read Ginsberg, Kerouac, Cassady and Corso; and even a trumpeter had a sad horn to play. Horovitz was incredible. He could’ve spoke, given half the chance, for 90 minutes without pausing for breath and kept the audience entertained with his staggering array of anecdotes, quotes, cultural references and razor sharp wit and intelligence. He then popped up last week to wax lyrically on Jarvis Cocker’s Sunday Service show on 6Music (listen on BBC iPlayer).

Also last week I bought, amongst other things, the new LP, Hunger, by Frankie & The Heartstrings and an old LP, Free Jazz, by The Ornette Coleman Double Quartet. The plan was to discuss and contrast the formulaic, backward facing, rattling three minute pop song approach of the Heartstrings to the challenging, groundbreaking, and – let’s be honest - patience testing of one 37 minute piece of jumbled improvised free jazz. It would of course have been like comparing an ear to an eye, and the conclusion being I’d want to keep them both.

A new interpretation of Graham Greene’s 1938 novel Brighton Rock his hit local picturehouses. I must ‘fess up to having not read it but I like the 1947 film version. This new one is set to the backdrop of rioting mods in 1964 and gave me a chuckle spotting mates as extras. Sam Riley as Pinkie, the young upstart attempting to “run” Brighton, was unconvincing (his firm consisted of an elderly Chalky from Quadrophenia and the lanky Wigan Casino dancer from SoulBoy - hardly menacing) and trying to pass Eastbourne off as Brighton was distracting. There was one sequence where Pinkie was sitting in a London café, ran down an Eastbourne street, and then ended up in Brighton, without even breaking into a sweat. Yeah, I know, it’s a film not a documentary. Those things apart it wasn’t the worst way to spend an evening and moved Greene’s book further up the to-read list.

A couple of offshoots from The Horrors should’ve got a mention. Rhys and Joe as part of The Diddlers gave Bo Diddley the full throttle, echo laden, Cramps-rock stomp treatment at the 100 Club, and very entertaining it was too; whilst Faris has turned up to sing at the Vatican (yes, the Vatican) with his new project Cat’s Eyes. The result is as spectacular as it is surprising. See it on YouTube.

Morgan: A Suitable Case For Treatment has been on DVD before but is out again, in shoddy cheap packaging, with no extras, and at a unjustifiably high price. But, it is a smashing film as the words Vanessa Redgrave, David Warner, 1966, Arthur Mullard, Irene Handl, Karl Marx, monkeys, gorillas, King Kong, sanatorium and John Dankworth testify.

So, no goals but hopefully a boost to the assist column.

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