“’I’m gonna hang
out with the stars in Hollywood, and look at how far I’ve come… I’ll be part of
the LA scene.” - Hollywood by Kontiki Suite.
The distance from Kontiki Suite’s Cumbria to their
Californian dream is over five thousand miles yet throughout their debut album
they effortlessly glide back and forth between autumn leaves of their home and a sun kissed
Laurel Canyon. It’s a gentle romanticism that radiates from an album
of extraordinary beauty.
For ease of comparison imagine the space between Younger Than Yesterday and The Notorious Byrd Brothers and fill it with an album the Byrds might’ve made with Moby Grape. Any band picking nervously at a twelve-string Rickenbacker has a Byrds reference thrust on them, usually undeserved as they lack anything like their depth and imagination but its valid here. There’s lovely intricate playing - from mild psychedelia to log cabin country - and such care (and presumably expense) taken over the arrangements, the recording and the production. Everything is crisp and crystal clear, and without wishing to come over all What Hi-Fi? sounds even more incredible through headphones when all the delicate little touches can be heard.
For ease of comparison imagine the space between Younger Than Yesterday and The Notorious Byrd Brothers and fill it with an album the Byrds might’ve made with Moby Grape. Any band picking nervously at a twelve-string Rickenbacker has a Byrds reference thrust on them, usually undeserved as they lack anything like their depth and imagination but its valid here. There’s lovely intricate playing - from mild psychedelia to log cabin country - and such care (and presumably expense) taken over the arrangements, the recording and the production. Everything is crisp and crystal clear, and without wishing to come over all What Hi-Fi? sounds even more incredible through headphones when all the delicate little touches can be heard.
I've previously described "Music Man" as “achingly beautiful”
– which it is - but it in no way casts a shadow over the other twelve songs, all
of which bowled me over with their magnificence. There’s clarity of vision, a confidence and an assurance in their style that makes the songs flow effortless along with no unwelcome interruptions. There’s no wasted moment, no
weak song. On Sunset Lake isn’t an album containing
great tracks; it’s an album of only great
tracks. Most albums are front loaded with the best tracks coming early; not so here, they
are all through it, and if anything On
Sunset Lake is sequenced more like a gig with songs competing to outshine
the preceding one until the climatic (and only long track) “Magic Carpet Ride" and encore of "The Painter". You'll never find a better track 9, 10 and 11 run than "Watching Over Me", "Autumn Fields" and "Music Man".
I’m struggling to remember when I last fell in love with
a record as gorgeous as this.
To listen and buy On Sunset Lake click here.
Love it, Mark! Had a listen and I've ordered 2 copies - one for the brother.
ReplyDeleteYou're bang on about Byrds comparisons being dished out quite liberally (also, Buffalo Springfield, in my humble),but this is special.
A great shout. Thank you.
Thanks a lot Bill - always rewarding (and a slight relief!) to read comments like yours.
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