There can’t be many better record shops in the world than
Rough Trade East in Bethnal Green. Every couple of weeks I come away with
something unexpected. The other day I went to hear Public Enemy’s Minister of
Prophecy, Chuck D, “in conversation” but
as usual came away with a lot more.
Twenty minutes before his scheduled appearance Chuck was there,
browsing around the shop. I whipped out It
Takes A Nation Of Millions To Hold Us Back from my bag and gently pounced as
he idly thumbed the counter display. “Hey Chuck, how ya doin’ man?” That, you
notice, was my street voice. “Hey,” he said, a bit like a sleepy Fonz, and offered
his hand. “Would you mind signing this please?” “Sure.” He did his thing. “What you talking about
today Chuck?” He shrugged. “I don’t know. Whatever people ask me.” “Off the
cuff yeah?” I began to sound like an idiot, and then added “In London long?”
which confirmed it in his mind. “Excuse me?” “Are you in London long?” “Yeah,” and
picks up a copy of the Creation Records DVD Upside
Down and studied the contents intently. I took that as my cue. “Cheers
mate.” Mates see, me and Chuck D. Not as close as me and James Dean Bradfield but mates all the same.
When he took the low stage he wasn’t alone. In tow were
Public Enemy’s turntablist DJ Lord and none other than every clock repairer’s
favourite customer, Flavor Flav. Chuck didn’t have anything planned to say;
it was whatever came into his head and the first thing was to generously praise
Rough Trade, both for the label and the store. “I don’t give accolades lightly,
just for bullshit,” he said before noting the difference in this part of the
East End from when he came years ago. “Back then you would’ve got slashed,” to
which Flav took offence saying that he would’ve fitted in anywhere. “I’m not
saying I would’ve either,” Chuck continued, “but some of you would have.” A satchel of Brick Lane hipsters shuffled awkwardly
in their chinos.
When Chuck D holds forth on a Public Enemy record or in
person, it leaves little room for manoeuvre or opposition. Everything is
delivered with such conviction it must
be The Truth. It was funny though to see how the thoughtful and serious Chuck
and the World’s Oldest Teenager Flav worked off each other; like an old school
comedy duo. They call themselves the Rolling Stones of Rap; they are almost the
Cannon and Ball of Rap too. Chuck remained seated and spoke in a steady tone earnestly
recounting facts and figures whilst Flav leap to his feet and outstretched his
arms with every loud heart-on-sleeve outpouring. Their publicist mentioned Flav
had slept and eaten, which I took as an unusual occurrence. The clock around
his neck said 4 o’clock. It was quarter past six, so don’t ever ask him what
time it is. The bespectacled DJ Lord sat stage right looking quietly amused by
it all.
For around an hour they covered a lot of ground. Chuck
embraced mobile phone technology as a form of communication and how it enabled
people to make music and films cheaply and easily but worried “some folk are
closer to their phones than their own families.” Flav was more concerned about
people secretly filming him when he was eating (or worse). Chuck couldn’t
understand how name DJs got paid so much money “for twiddling a few knobs” and
railed against acts performed for 20 minutes. Public Enemy are all about their
live shows where they “never give less than a hundred and ninety percent.” That’s a lot of percent but when he said the
group had toured 84 times and visited 83 countries there was no reason to doubt
his figures. “That’s why when people ask “Have you been in London long?” I’m
like, we’re always here.” Okay man, I hear ya now.
A question from the audience made them recall their
performance at the Reading Festival in 1992. I was there and they were
incredible. Remember the ballyhoo when Jay-Z headlined Glastonbury in 2008 and
ignorant numpties were flapping how a hip-hop act wouldn’t work at a huge festival,
as if people only appreciate one style of music? When PE headlined that Saturday
night in ’92, coming on directly after Ride and the Manic Street Preachers they
were incredible and I’m no fan of big gigs. Everyone in that muddy field was
jumping so hard pints of beer were knocked over in Reading pubs. I’ve never seen
an act so completely control a gigantic crowd the way PE did that evening.
Chuck acknowledged that twice during their 25 year career
they’ve been buoyed by their music being used in other contexts, namely “Fight
The Power” in Spike Lee’s film and now 2007’s “Harder Than You Think” being used
for the Paralympics television coverage, giving them their highest ever chart
placing in the UK. We still have an official chart? Come back Top of the Pops all is forgiven. He made a distinction between writing songs and making
records, and also added “it’s not the artist’s job to sell records, it’s the
sales people’s job to sell records. I just make them”. When asked which of his
lyrics he was most proud of he said all of them but picked, as a sports
aficionado, “He Got Game” for the way it mixed basketball themes with music. Not
a winning combination for the Great British public. I like that song mostly for
the Buffalo Springfield sample which rather proves his point about song writing
and record making. Public Enemy’s strength is how they combine powerful lyrics
to interesting samples – like a social, political and music history lesson in
one. If people only got their education from Public Enemy records they'd do all right in life.
There was plenty more, including heartfelt tributes to Adam "MCA" Yauch from the Beastie Boys (“they were fighting for their right to party; we
were partying for our right to fight”), all of which was a great but the real highlight
was the live performance that followed. The lights were low, it was hot, and it
felt like a private PE gig in my front room. Amazing to see and hear Chuck and
Flav trade raps through a set including “Prophets of Rage”, “911 Is A Joke”,
“Harder Than You Think”, latest single “I Shall Not Be Moved” and more, even if
Chuck did attempt to text Mrs D mid-song. The performance of the “Fight The
Power” was something else altogether. They
hadn’t even got to branding Elvis and John Wayne racists when Flav left the
stage. Chuck called him back. Flavor wasn’t having it, “What you doing man?
Trying to fight the power with your shit? Ah Jesus man. Fighting the power with
your smell?” Yep, Chuck D had dropped his guts and an outraged Flavor Flav wasn’t
going anywhere near him. A few minutes of fart gags followed – when in Britain
– before the whiff cleared enough to continue. Poor DJ Lord felt the full force
trapped behind his decks. I’ve seen some things in my time but Public Enemy
being halted by a silent but deadly was a new one. After a couple of giggly
false starts they finally nailed it.
Afterwards they posed for photographs (me and Chuck
looking like couple of homies) and signed records. I thanked Flavor Flav. “No,
thank you” he said and signed It Takes A Nation. “Cheers mate,” I
said. “Cheers mate,” mimicked Flav in a ridiculous over-the-top Cockney accent;
half way between Dick Van Dyke and Paul Hogan. We shook hands and he cackled
his famous cartoon laugh.
Public Enemy’s
latest album Most Of My Heroes Still Don’t Appear On No Stamp is out now and rather good it is too.
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ReplyDeleteNice account, lucky guy....I would have frozen and would have probably just mumbled something incoherently, despite being a Hip Hop head my street cred is pretty non existent. I grew up on these guys and their rhyme grenades and push come to shove are my favourite artists. 'Stamps' was probably their best album in many years but I still haven't got round to listening to the follow up 'Evil Empire of Everything'.....thanks
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