This month I have mostly been diggin'...
1. Cliff Bennett &
The Rebel Rousers - "Slow Down" (1964)
The Larry Williams
chestnut given a fat soul club sound indicative of their live reputation.
2. The Master's
Apprentices - "War Or Hands Of Time" (1966)
This rollicking
garage-punk single, with its A-side "Undecided", is the greatest
thing Australia has ever given the world.
3. Paul Jones -
"Sonny Boy Williamson" (1966)
Paul Jones and Jack
Bruce wrote and recorded this tribute to the man who made such an impact on the
British R&B boom after this death the previous year. Tucked away as a
B-side, featuring only Jones on vocals and harmonica and Bruce on bass, its
simplicity is a far cry from the bombastic (and let's be honest, rather naff) "I've Been A Bad, Bad Boy"
on the A-side.
4. Bob Dylan & The
Band - "Blowin' In The Wind" (1967)
There's a heck of a
lot to take in - almost too much, if that were possible - in the 6-CD The Basement Tapes Complete but it's great to
drop in for short spells to earwig Bobby and the boys having a sing-song. The
woozy, bar room band take of "Blowin' In The Wind" is an immediate
favourite.
5. Percy Sledge -
"True Love Travels On A Gravel Road" (1969)
Countrified Muscle
Shoals soul. From the title, to the pedal steel, to the horns, to Sledge's
rootsy vocal, everything here is simply magnificent. If you only investigate
one song from this list, make it this.
6. Kelly Gordon -
"He Ain't Heavy, He's My Brother" (1969)
I love the Hollies
classic but check out the outstanding original version. Gordon's almost
unbearably raw emotion gives it the kind of gravitas the lyrics deserve.
7. The Stovall Sisters
- "Yes To The Lord" (1970)
Lillian, Netta and
Joyce Stovall began singing in the 1950s as gospel group God's Little Wonders
aged just 5, 7 and 2 respectively. By the time of their only album the sisters
had embraced elements of rock and roll into their repertoire and here, in a reversal
of the more common practice, take a secular song ("My Baby Loves Me" by
Martha & the Vandellas) and give it a glorious religious make-over.
8. Archie Shepp -
"Attica Blues" (1972)
Two weeks after
George Jackson was killed in San Quentin, 43 people died during riots in New
York's Attica Prison. The title track of saxophonist Shepp's Attica Blues is a righteous, defiant,
fist-raising soul stirrer. With Henry Hull on lead vocals, it's as funky as
hell.
9. Five Thirty -
"Out To Get In" (1991)
Last month I
included Ride and they've subsequently reformed. Gonna try and repeat the trick
with their superior Oxford neighbours Five Thirty whose 12 inch extra tracks
were better than most band's singles.
10. John Sinclair -
"Straight No Chaser" (2014)
Best known as MC5
manager, White Panther Party founder and counter-culture pot stirrer, Sinclair
is also a poet, journalist, performer and major jazz head (check out It's All Good - A John Sinclair Reader for a
good sample of his work) . On latest album Mohawk he
raps beat poetry in an evangelical manner, backed by a small jazz combo, about
Bird. Monk and Dizzy. It's passionate, warm and inspiring; part history lesson,
part heartfelt tribute.
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