This month I have mostly been listening to…
1. Lucille Bogan – “Till
The Cows Come Home” (1932)
Sexually explicit songs have been around since time began
but to hear the language used on recordings by Lucille Bogan in the 20s and 30s
still comes as a shock to modern ears.
Check out her “Shave Me Dry” too, just not in front of the kids.
2. The Brigands –
“(Would I Still Be) Her Big Man” (1966)
Snarling vocals and lyrics, a nifty nagging guitar riff and the world’s
biggest tambourine lay the foundations for The Brigands’ only 45, a well-produced
garage punker straight outta New York City for Epic Records before they mutated
into the Third Rail the following year.
3. The Garden State
Choir – “Who’s Over Yonder” (1967)
By jingo, The Garden State Choir were in one heck of a
hurry to check over yonder for the Lord. Slow down brothers and sisters,
soldiers of the cross, He’ll still be there when your time comes.
4. Harper & Rowe
– “The Dweller” (1968)
Or, as some wag on-line remarked when this was doing the
rounds recently, “The P.Weller”. Remarkably Style Councilesque, “With
Everything To Lose”/”Have You Ever Had It Blue?” in particular springing to
mind. Surely a coincidence...
5. The Isley Brothers
– “Sweet Seasons” (1973)
The Isleys cut three Carole King tunes on Brother, Brother, Brother; this summer breezey
one is a joy.
6. The Staple Singers
– “Trippin’ On Your Love” (1981)
Back in the late 80s a then-current Arthur Miles version
of this filtered its way into “our” clubs. I distinctly remember it played
regularly at a Northern Soul do at Drummonds by King’s Cross (Chuck
Jackson’s “All Over The World” spun next to it). It divided opinion but, trying to be a progressive thinker
and embracing modern soul at the time, I loved it. Had no idea it was
originally by the Staples. Listening now, Arthur’s version is still pretty good
but the Staples one is sublime. Sing along with Mavis to that intro: “I don’t need no speed or weed…”
7. Paikan & The
Mighty Mocambos – “Ballad of the Bombay Sapphires” (2010)
Thirsty work being this goddam cool.
8. Big Boss Man –
“Aardvark” (2014)
The new Big Boss Man album, Last Man on Earth, sees the band continue to chance their arm away
from the safety of their well-established funky soul-jazz instrumentals by incorporating
elements of folk and psych rock to the mix plus a few more vocal tracks. As laudable
as that is, and they remind me of Mother Earth in that mode, the highlight of Last Man on Earth is the single “Aardvark”; with swinging
Hammond, punchy horns, bongo groove and soul claps it’s Georgie Fame and the
Blue Flames at the Flamingo revisited.
9. Martin Carr – “The
Santa Fe Skyway” (2014)
The Boo Radleys were a bit hit or miss but this sunny lead
track from Carr’s new The Breaks
album definitely falls in the former category. The “Shaft”-style outro came as
a surprise (although it won’t now to you, sorry).
10. The Oxbow Lake
Band – “Mr. Strange” (2014)
Great opener to their Boy
Angus EP, Aberdeenshire’s The Oxbow Lake Band throw everything but the kitchen
sink into this fiery floorshaker. Early Dexys horns, some wicked flute, Hammond
solos turned up to eleven, and a fag-throated vocalist who sounds a ringer for
Chris Dean of the Redskins, who would’ve loved a track like this for themselves.
Keep on keeping on.
Great track but I'd definitely give PW the benefit of the doubt and put it on the coincidence pile. He's not usually that subtle.
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