Ten tunes currently creating merriment at Monkey Mansions.
1. The Louvin
Brothers – “The Great Atomic Power” (1952)
Considering Ira and Charlie Louvin feared mushroom clouds
of destruction would rain down from on high blotting out the works of man they
sounded remarkably upbeat about it. The reason?
God will surely save His children. Phew, that’s a weight off my mind.
2. Mel Williams –
“Send Me A Picture, Baby” (1955)
When waiting to cut his new 45 for Federal Records I wonder
if Mel asked for something people can whistle along to. If he did, they took
him literally. What otherwise would be a standard big voiced R&B stroller
is made more interesting (or perhaps annoying) by employing a whistling passer-by.
3. Faye Richmonde –
“Sadie’s Still Got The Rag On” (1957)
Boys, if you’re thinking of knocking on Sadie’s door and
asking her out to play, her mum reckons you’ll be wasting your time because
she’s still got the rag on. Mumps, she says, but I’m not convinced. From the
album My Pussy Belongs To Daddy released, presumably under the counter, in
1957.
4. Smokey Robinson
& The Miracles – “When The Words From Your Heart Get Caught Up In Your
Throat” (1968)
That’s such a typical Smokey phrase. You can just imagine
him coming up with the title and knocking the rest of the song together over
lunch. The competition would’ve killed for songs like this yet Smokey could
afford to chuck it away on the flip of “You Can Want”.
5. Os Mutantes – “Bat
Macumba” (1968)
Mixing their Brazilian rhythms with imported US and UK
psychedelic rock Os Mutantes eponymous debut album is wonderfully wigged-out from
start to finish.
6. Darrow Fletcher –
“(Love Is My) Secret Weapon” (1975)
I have to be careful to play this sort of stuff out of
the earshot of Mrs Monkey as a pound to penny she’ll go “Turn this disco shit
off” or “What’s this Luther Vandross bollocks?” If that’s also your natural
reaction to a silky mid-70s soul dancer then you’d best steer clear too.
7. Siouxsie & The
Banshees – “Supernatural Thing” (1981)
The Banshees wouldn’t be top of the pile of expected
coverers of Ben E. King’s funk classic but they did it. The studio take
appeared as the B-side to “Arabian Knights” but I’ve been playing the live
version recorded for a Richard Skinner BBC session; all quirky rhythms and
jagged shards of metallic noise. I'm still hoping they'll return one of these days.
8. Slim Moore and the
Mar-Kays – “How Long” (2011)
Introducing Slim
Moore and the Mar-Kays is the best new soul album I’ve heard in years, not
that it sounds very new, more an amalgamation of every cool Blaxploitation
soundtrack. “How Long” contains just enough of a hint of hip-hop to pull it
away from mere pastiche.
9. Band A Part –
“Blankets” (2011)
Despite the title this is sung in their native Spanish
tongue. My grasp of the lingo is too shoddy to grasp what they’re on about but they sound enough of a sweet blend of St Etienne and Camera Obscura to get
un abrazo from me.
10. Ballard – “Pretty
Colours” (2013)
A rough and ready pill-eyed adrenaline rush written,
recorded and released by Darren Riley quicker than it takes the Rolling Stones
to assemble their stage set.
Well of course I have to say something about that album cover...you sure know how to catch our attention. Is it really from 1957? Staggering stuff! And those other song titles, are they as, ahem, "good" as they promise? HAS Tony got hot nuts?
ReplyDeleteMoving quickly on... I like the sound of Band A Part from your description, so will be checking that out - thanks.
It really is from 1957. I had to check myself before I wrote that as seemed improbable. Faye Richmonde made a few albums of bawdy songs like this with similar sleeves. Apparently some record dealers were arrested in 1958 and charged with selling lewd records. The jury took twelve hours to come up with a not guilty verdict!
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