Amongst the “could try harder” comments that peppered my
school reports, one memorable assessment when I was 13 read “Mark is a cynic”.
With that in mind I wasn’t expecting much from the Olympic opening ceremony beyond being able to post sarcastic
comments on Twitter but it moved me quite unexpectedly and even more now I
think back. Britons don’t usually display national pride well, it can come across wrong or make us feel uncomfortable, but this celebrated
the people of Great Britain with imagination and humour. From the stylish way Mod
of the Moment and genuine sporting great Bradley Wiggins casually rang the
opening bell, the historic and cultural references in Danny Boyle’s spectacular
show came so thick and fast it was hard to keep up. The best part of a billion
viewers worldwide must’ve wondered what the devil was going on – this was about
Great Britain, ignoring the 203 other competing countries - as it paid tribute
to the Industrial Revolution, the National Health Service, the suffragettes,
trade unions, immigrants disembarking the Empire Windrush, Steven Lawrence,
Liberty, the victims of 7/7, Chelsea pensioners, Pearly Kings and Queens, Tim
Berners-Lee, Ken Loach, even Clare Grogan and goodness knows who else. Having
the Olympic flame lit, not by someone whose achievements are in the past but by
seven young people whose time has yet to come was truly fitting. Bar the occasional
Mr Bean moment and Muhammad Ali’s dreadful condition it was wonderfully done: innovative,
surprising, inspiring and a little subversive. A little bit bonkers. Isn’t that what we should all
aspire to? Educational and entertaining, I’d stick it in school curriculums
tomorrow. The only one looking nonplussed was Her Majesty who idly picked her
nails as her subjects paraded in front of her to the strain of Bowie’s “Heroes”.
But she’s the Queen, and she don’t caaaare.
The British music industry, the soundtrack to our lives, was
loudly championed and not by fly-by-night Cult of Celebrity, Creations of
Cowell either: The Who, The Kinks, the Sex Pistols, The Clash, The Jam railing
against kidney machines being replaced and guns, Blur, Prodigy, Amy Winehouse, right
up to gutsy live appearances from the Arctic Monkeys and Dizzee Rascal. In the ancient
Beatles versus the Stones saga, the Beatles came out top again, like they sadly
always do, with Paul McCartney wheezing breathlessly under the weight of his
hair extensions through “Hey Jude” for the finale. Think how much better it
would’ve been for the Rolling Stones, celebrating their 50th year together, to
have tapped out “Sympathy For The Devil” with 80,000 people joining in with the
“woo-whos”. It would’ve been an improvement on “na-na-na-nanana-na” and Keef
could’ve lit a giant doobie from the Olympic flame.
From Brian Jones seeking out like-minded souls wanting to
play “negro music” to their multi-million pound incarnation, the Stones represent
a phenomenal British achievement in spreading rock ‘n’ roll throughout the
world (ouch, that sounds like I’ve whored myself to a PR company, please forgive
me). They didn’t invent it, didn’t do an awful lot with it to be honest, but
they made it go a very long way with everyone from Howlin’ Wolf to you and I
benefiting. They’re always knocked for being old duffers who should’ve packed in
long ago but longevity in any relationship should be respected and admired. They’re
in job they enjoy and do well - 2005’s A
Bigger Bang is a far better LP than you might imagine.
A new exhibition at London’s Somerset House displays 76 photographs
from the official Rolling Stones 50 book, a weighty hardback tome featuring over
1000 pictures and costs thirty quid should your shelf need another Stones book;
the exhibition is free and the majority of images here are from the 60s: the
ill-fitting matching dogtooth jackets of 1963 to Brian’s sacking in 1969. Throughout
that period they wore great boots and knew how to tie a scarf; important things.
They were also a thorn in the backside of the establishment who harassed them
and tried throwing them in jail. That same establishment now gives Mick a
knighthood - and the BBC who once banned the Pistols’ “God Save The Queen” now
blasts it to every corner of the world during the opening of the Olympics – so
who was right? Those who go out on a limb achieve things. It’s easy
to forget how surprising, inspiring and subversive the Stones and the Sex
Pistols were; but they were, and we should be proud.
The Rolling Stones
50 exhibition is at Somerset House, London WC2R 1LA until 27 August 2012,
admission free. The Rolling Stones 50 is published by Thames and Hudson, priced
£30. The Olympic Games is on your television until 12 August 2012.
It was far better than expected, wasn't it? From the Red Arrows flying low over my house through to the not excessive fireworks.
ReplyDeleteI'd love to see the village green reconstructed for the closing ceremony, whilst Ray Davies strums and serenades. Having always been cantankerous, ageing has not made him an embarrassment.
Oh yes, Ray doing "Waterloo Sunset" would make a great ending.
ReplyDeleteI was thinking more of Days, but just having him their, smiling wryly at it all, would be a great, gentle way to end.
ReplyDelete