Andrea Dunbar is best known for writing Rita, Sue and Bob Too, a play depicting
the relationship between an older man and his two babysitters, made into a film
by Alan Clarke in 1987.
Andrea was far from the stereotypical playwright. Growing
up on the notorious Buttershaw Estate – reputedly the toughest part of
Bradford’s toughest area – Andrea’s exceptional writing talent, particularly
for dialogue, brought her to the attention of Max Stafford-Clark, who put her
first play – The Arbor, written in
green biro at the age of 15 – on at the Royal Court theatre in London’s West End.
After three plays, all drawn from lives around her estate, Andrea died in 1990,
aged 29, from a brain haemorrhage in her local pub.
Andrea’s story is now the inspiration for Adelle Stripe’s
debut novel, Black Teeth and a Brilliant
Smile. The introduction insists it’s a work of fiction – populated by real
and imagined characters – but this exceptional book is clearly biographical, the
main events undoubtedly true.
It’s a tale of contrasts: acts of brutality and occasional
kindness, of rich and poor, belief and doubt, north and south, even stage and
screen. That Andrea’s life story – punctuated by sex, domestic violence and alcoholism
– mirrors her work is no surprise but she deals with even the worst events with
stoicism. There are though, fear not, moments of humour - both in Dunbar and Stripe's telling.
Although dimly aware of the film adaptation, and the
furore that surrounded it, Andrea Dunbar’s name meant nothing to me. I’ve not
seen the plays, read them or watched the film. I bought Black Teeth and a Brilliant Smile because I’ve always enjoyed
Adelle Stripe’s writing and poetry for the independent press and trust her
judgement. Such faith did not go unrewarded. Not only is this Adelle’s best
work to date - it’s a tremendous stand-alone “piece of kitchen sink noir” – it
also serves as a very welcome introduction to the life and work of Andrea
Dunbar.
Black Teeth and a
Brilliant Smile by Adelle Stripe is published by Wrecking Ball Press.
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