Showing posts with label roy lichtenstein. Show all posts
Showing posts with label roy lichtenstein. Show all posts

Wednesday, 8 January 2014

POP ART DESIGN at the BARBICAN


The current Pop Art Design exhibition at the Barbican has a familiar feel about it with many examples seen in London galleries in recent years: from Roy Lichtenstein’s comic strips; Ed Ruscha’s block text graphics; William Klein’s dazzling film montages; Harry Gordon’s paper poster dresses; Martin Sharp’s psychedelic posters; Richard Hamilton’s collages; Andy Warhol’s flowers; Peter Blake’s Beatles; Pauline Boty’s female icons and so forth. But Pop Art by its very nature is familiar with its appropriation of everyday items, branding, advertising and cultural figures.

Pop Art Design looks at how design – furniture, clothes, architecture, etc. - and Pop-Art are entwined and inform each other. Andy Warhol’s Close Cover Before Striking (1962), a large acrylic on canvas piece depicting a matchbook adorned with Coca-Cola advertising, is placed above a 1960’s Coca-Cola dispenser; both equally bold designs and beautiful works of art. Pop Art might say something about consumerism and capitalism but to me it simply looks bright, vibrant, fun and reflects a world I can relate to. That’ll do.  

Yet what caught the eye, time and time again, was the work of Alexander Girard, a name I wasn’t aware of. Each time Mrs Monkey and I spotted something interesting and “new” it inevitably had his name on the caption. Magazine covers, lettering on cushions, curtain fabrics, household items, even a whole restaurant, there was the Girard name. As an architect, interior designer and furniture designer “Sandro” was commissioned in 1960 to design every part of La Fonda Del Sol Restaurant in New York, from the kitchen to the servery counter to the tables to the crockery to the menus and to packets of sugar. It looked an incredible place with his cheerful collection of 80 different sun motifs as an ever changing logo. And no, of course it’s not still there, I’ve checked. Not the real one anyway.

Well worth a mooch around with plenty of inspiration to be found among over 200 pieces by 70 artists. The walls of Monkey Mansions have looked starkly white and colourless ever since.

Pop Art Design is at the Barbican Centre, London until 9 February 2014, admission £12. 
For more on La Fonda Del Sol see Burning Settlers Cabin blog.


Thursday, 4 April 2013

ROY LICHTENSTEIN: A RETROSPECTIVE at the TATE MODERN

Whaam! by Roy Lichtenstein (1963)

Featuring 125 items, mostly paintings but some sculptures, Lichtenstein: A Retrospective is a huge exhibition charting the career of one of the most instantly recognisable and imitated pop artists. We’re forever seeing copies of Lichtenstein’s comic book style so it’s good to see the real things close up. Not that Roy could complain about plagiarism as his breakthrough moment as an artist came with a 1961 painting of a Mickey Mouse and Donald Duck illustration from his young son’s book and his famous Whaam! (1963) was lifted straight from the pages of a DC comic published the previous year, which he - in my opinion - improved upon and offered in a completely different setting. Some may take umbrage to this pilfering (the original artists for a start) but I’m okay with it, in the same way I don’t mind Bob Dylan reworking Woody Guthrie or even (as much as I loathe them) Led Zeppelin plundering the work of blues artists. All of Roy’s most familiar pieces appear in Room 4 titled War and Romance: Whaam!, Drowning Girl, Torpedo Los!  (all 1963), Oh, Jeff (1964) and a host of others . They’re great to see, as are his Brushstrokes series which came during the following couple of years; their thick black outlines against dots have a startling 3-D effect. After those it’s a bit here and there, rarely veering too far from his trademark style apart from the art deco influenced brass sculptures from 1966/67 which feel out of place. 1991’s huge scale Interior With Waterlilies again has a 3-D aspect not apparent in printed (or screen) versions - the bed looks like it comes out into the room inviting the viewer to sit on it - and the Chinese landscapes from the mid-90s are good but the rest isn’t so impressive. The Late Nudes in Room 11 (of 13) were a bit too young looking for my eyes. After a while, due to the sheer scale of the exhibition, it becomes a little like wading through a 6-CD box set when a Greatest Hits collection would’ve sufficed but as a career retrospective it’s hard to beat.

Lichtenstein: A Retrospective is at the Tate Modern, London Southbank until 27 May 2013, admission £14. 
Panel from All American Men of War by  Irv Novick and Bob Kanigher (1962)