FEBRUARY PLAYLIST

Gene McDaniels. Over the moon at making the February Playlist.

1.  Billy Fury - "Don't Jump" (1962)

In Tony O'Neill's latest book, the brilliant Black Neon, one of the main characters - a half Haitian, one-armed, murdering, thieving, junkie, black magic practicing, lesbian (it's that kind of book) - states "This is undoubtedly the best rock 'n' roll song about someone thinking of throwing themselves off a cliff ever recorded". Don't argue with the nice lady.

2.  Dean Jones - "Women (Ska-Da-La-De-Da)" (1964)

Don't let the word Ska throw you, Dean Jones is a white TV actor and star of the film The Love Bug but somehow cut this storming Latin/popcorn dancefloor filler.

3.  Gene McDaniels - "Hang On (Just A Little Bit Longer)" (1965)

Marvellous, although surprisingly not one of McDaniels' big hits. Can only assume Scott Walker/The Walker Brothers didn't hear it or else they'd have been all over it and would've had a smash on their hands.

4.  Donald Byrd - "Brother Isaac" (1965)

Byrd's I'm Tryin' To Get Home LP was released under the title Donald Byrd Brass With Voices, for that's what it was. The voices are used rhythmically - there's no actual words, just what I suppose is scat singing. Sounds a terrible idea but works a treat, especially on the opening soul-church jamboree. Should add there are musicians of neither brass nor voice as a stellar line-up including Freddie Roach (organ), Herbie Hancock (piano) and Grant Green (guitar) testifies.

5.  Steve Cropper, Albert King and Pops Staples - "Big Bird" (1969)

In May 1969 Stax released something like 27 different albums and I've yet to hear one which isn't great (makes note to collect all 27). On Jammed Together the three guitarists all compliment each other, allowing the listener to clearly identify their distinctive styles. 

6.  Wayne McGhie & the Sounds of Joy - "Fire (She Need Water)" (1970)

Light In The Attic Records last year released a lovely limited edition orange-vinyl version of the Wayne McGhie & the Sounds of Joy album. Jamaican-Canadian McGhie - Studio One veteran and Jackie Mittoo band mate - warmly blends reggae, soul and funk.

7.  Jerry Reed - "500 Miles Away From Home" (1972)

Bobby Bare's 1963 country hit given a more low-down swampy feel by Jerry Reed who's "feeling dirty" apparently.

8.  Four Tops - "Are You Man Enough?" (1973)

Spend a day watching Shaft, Shaft's Big Score and Shaft In Africa. This was the used over the opening credits to the final film and demonstrates how even post-Motown the Tops could still deliver. Their LP for Dunhill, Main Street People, is jammed with other equally great tracks - "I Just Can't Get You Out Of My Mind", "It Won't Be The First Time", "Sweet Understanding Love", "Am I My Brother's Keeper" etc. Co-produced by Brian Potter. Pre-Phoenix Nights I guess. 

9.  The Style Council - "Big Boss Groove" (1984)

After seeing the Style Councillors at the 100 Club on Thursday I've slightly altered my opinion about tribute acts, or at least am prepared to make an exception in this case. Done with meticulous attention to detail I thoroughly enjoyed them. Largely centred around the '83-'85 period it highlighted what a purple patch it was in Paul Weller's career; such a range of styles although with a strong soul influence. The Councillors well chosen set even included covers the Council only did live - The Impressions "Meeting Over Yonder" and Chairmen of the Board's "Hanging On To A Memory" - which was indicative of where songs like "Big Boss Groove" came from; a track I'd clean forgotten about until hearing it played live the other night. "Get on up."

10.  Hookworms - "Radio Tokyo" (2014)

The rocking organ intro sounds like the greatest few seconds the Inspiral Carpets never made before the pained screeching vocals take it some place else. Some scary, noisy, but exciting place.

MARCH PLAYLIST

A very groove laden month. Enjoy.

1.  Larry Young – “Young Blues” (1960)

“Young Blues is the second in a series of underground test explosions of nuclear funkiness by the Larry Young Quartet”. So reads the liner notes to organist Young’s second LP. Of course it’s nowhere near as good as that (imagine if it was) but a nice example of early soul-jazz all the same.

2.  Johnny Young & His Chicago Blues Band – “Slam Hammer” (1966)

Johnny Young takes top billing but it is James Cotton in the small print whose dirty, in-the-red, harmonica makes this a crunching slab of extreme blueswailin’.

3.  The Rubaiyats – “Omar Khayyam” (1966)

From the dynamite compilation New Orleans Funk 3 and written by Allen Toussaint, The Rubaiyats (featuring Allen) joyously promise to get out in the street and indulge in wine, women and song the whole night through. Sounds like one heck of a party. God, I wish I was back in New Orleans.

4.  Santa Barbara Machine Head – “Rubber Monkey” (1967)

Santa Barbara Machine Head only existed for a few months in 1967, just long enough for Jon Lord (keyboards), Ronnie Wood (guitar), Kim Gardner (bass) and Twink (drums) to cut three instrumentals for Immediate. The Hammond-heavy workout of “Rubber Monkey” gave notice of Lord’s next project: Deep Purple. 

5.  Blue’s Men – “If I Were A Carpenter” (1968)

There are hundreds of versions of this but Argentinian beat combo Blue’s Men turn in one of the most bizarre. Brilliantly bonkers.

6.  Albert King – “Hound Dog” (1969)

Best record shopping find this month is Albert King’s LP, King, Does The King’s Things, a 1969 Stax release of songs made famous by Elvis. Backed by the MGs and the Memphis Horns it’s a smokin’ blues funk of a beast although quite what King did to upset the art department at Stax remains a mystery.

7.  The Friends of Distinction – “Grazing In The Grass” (1969)

In reverse of the more common situation, The Friends of Distinction took Hugh Masekela’s instrumental hit and added their own lyrics. They also added four extra layers of cheery Californian sunshine.

8.  Houston Person – “Hey Driver!” (1969)

A chant of the track’s title over an irresistible Hammond and horns groove from the excellent long-player Goodness!

9.  Blood Hollins – “Don’t Give It Up” (1976)

Everett “Blood” Hollins’ second release on his Strange Fruit label was this disco driven number. Had Paul Weller heard this in 1987 during The Cost Of Loving-era he and Dee C. Lee would surely have been tempted to cover it for The Style Council. Be grateful he presumably didn’t.

10.  Real Estate – “Primitive” (2014)

A quarter of the way through the year and the best album so far belongs to New Jersey’s Real Estate for Atlas. Melancholic melodies entwine with beautiful crisp guitar lines which weave their way through the whole record. 

MAY PLAYLIST

A sample of tracks that have graced the lugs during this merry month of May.

1. Lionel Hampton – “Hey! Ba-Ba-Re-Bop” (1945)
Jack Kerouac in The Early History of Bop: “Lionel Hampton had made a record called “Hey! Ba-Ba-Re-Bop” and everybody yelled it and it was when Lionel would jump in the audience and wail his saxophone at everybody with sweat, claps, jumping fools in aisles, the drummer booming and belaboring on his stage as the whole theatre rocked”. Apart from the small fact Hampton played the vibes, not the saxophone, it’s a neat description. Altogether now, Hey! Ba-Ba-Re-Bop!

2. Bobby Bland – “Farther Up The Road” (1957)
What a nice documentary that was on BBC4 this month. When I get to curate the Meltdown Festival, he’s booked.

3. King Coleman – “The Look-Key, Doo-Key” (1960)
Coleman cut a bunch of records using James Brown’s band. The mashed potato lunacy of “Loo-Key, Doo-Key” being one of them.

4. Ike Quebec – “Blues For Ike” (1961)
It takes a certain person to wear a beret and get away with it. Tenor blower Quebec not only wears it well, but looks like he’d knock seven shades of shit out of you if you even gave it a second glance. He puts in a suitably sturdy showing but its Freddie Roach’s penetrating organ that steals the show.

5. Albert King – “Cockroach” (1969)
I’m no big fan of showy blues guitarists but King effortlessly flits between smooth and sleaze on this Stax flipside.

6. The Jam – “Private Hell” (1979)
Young Weller was such a misery guts it’s no wonder he now seeks to let his mullet down in such bacchanalian fashion. This depressing tale of cynicism and repression boiled over and scorched his badger bowling shoes as 21 year old lad.

7. Camera Obscura – “Honey In The Sun” (2009)
I was told Tracyanne Campbell is the daughter of Clare Grogan. Oh, how I was that were true. It’s not but should be.

8. Jeffrey Lewis and The Junkyard – “Broken, Broken, Broken Heart” (2009)
The happy-clappy skiffle shuffle fails to camouflage poor Jeffrey’s broken heart. Sorry, his broken, broken, broken heart. That’s pretty broken by anyone’s standard.

9. The Horrors – “Who Can Say” (2009)
Any move toward a shoegazing revival should be stomped out immediately, and every Eighties synthesizer should be landfilled rather than recycled, but I’m gradually thawing towards Primary Colours and “Who Can Say” in particular.

10. Manic Street Preachers – “William’s Last Words” (2009)
Nicky Wire’s vocal attempts always make him sound like one of those sad, deluded, forty-something freaks that get wheeled out for public ridicule during the auditions of X-Factor or Britain’s Got Talent. “I fink I can be as big as the Beatles”. A shaky stab at would could be interpreted as Richey’s suicide note (although reading the original text, I don’t think it’s that simple) almost brings a tear to the eye for different reasons to normal.