During the mid-60s trumpeter Gary Chandler toured with
the Motown Revue before joining the bands of Lou Donaldson then Charles Earland,
where he featured on Living Black!
and Soul Story in 1971. Producer Bob
Porter urged Chandler to record his own album and enlisted a crack band
including the irrepressibly funky Idris Muhammad on drums, Caesar Frazier on wild
Hammond, plus the legendary Rudy Van Gelder on engineering duties.
With such pedigree and supporting cast the resulting 1972
album for Eastbound Records is every bit the tasty soul-jazz stew it promises.
The rolling ten-minute groove ‘Baby Let Me Take You (In My Arms)’ is worth the
purchase alone as the band stretch out with Chandler’s natural funk, Cornell
Dupree’s twisting lines guitar (Dupree of Aretha’s “Respect” intro fame) and Frazier’s
heavenly Hammond all taking a lead. Chandler’s compositions positively sizzle
throughout with the dizzying dancefloor groove of ‘Kaleidoscope’ being the pick
of the rest, although that in no way downplays 'Blue Dues' or 'The Jet Set'. Only on ‘Flamingo’, the album’s only ballad, is the heat turned from
boil to simmer.
Outlook proved
to be Chandler’s only album. The question on this evidence is why.
Outlook by Gary
Chandler is released tomorrow (12 Oct) as a limited edition LP on Tidal Waves/Light In The Attic. A version of this review first appeared in Shindig! magazine.
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