1. Jimmy Nolen – ‘Strollin’ With Nolen’ (1956)
James Brown later had the savvy to employ Jimmy Nolen between
1965-1970 and it’s impossible to imagine that purple patch of JB’s output without
Nolen’s chickenscratch guitar style. Back in ’56 he was already cutting loose.
2. Herbie Hancock – ‘Watermelon Man’ (1962)
Herbs radically redid it on the squillion seller Head Hunters but it’s the finger
snapping original cut on debut album, Takin’
Off, that gives ‘Watermelon Man’ its classic status.
3. J.R. Bailey – ‘Love Won’t Wear Off (As The Years Wear
On)’(1968)
The title sounds like the reverse of something George
Jones might have written but this is classy soul from the Cadillacs singer cut under
his own name for Calla Records.
4. Herman George – ‘What Have You Got’ (1975)
Superb mid-70s soul.
5. Laxton’s Superb – ‘Coming Round’ (1996)
Lost in the deluge of speculative Britpop signings, Laxton’s
Superb were quickly dropped once their singles didn’t hit but the bright ‘Coming
Round’ deserved better.
6. Luke Haines – ‘The Incredible String Band’ (2016)
With a gentle strum, a children’s xylophone and a kazoo
solo, Haines tells the tale of the Scottish psychedelic folksters who “were an
unholy act, they sang like a couple of weasels, trapped in a sack.” This
perversity, and songs about caterpillars, hedgehogs, death and a dude with no
head obviously appeals to an outsider such as Haines. Now featured on the
four-disc set, Luke Haines Is Alive and
Well and Living in Buenos Aires.
7. The Senior Service – ‘Slingshot’ (2018)
Anyone who’s followed Graham Day over the years will be
aware of his penchant for groovy soundtracks to mind-movies so ‘Slingshot’
sounds how one would expect - the Shadows and Link Wray dressed as silver clad
cowboys duelling in a dusty barroom situated in outer space while a Hammond
organ catches fire in the corner.
8. Daniel Romano – ‘Anyone’s Arms’ (2018)
While most spent January easing themselves into a new
year Romano released two new albums under his own name and made available
another recorded under his punky Ancient Shapes title. Nerveless (electric) and Human
Touch (acoustic) have already been deleted – snooze and ya lose with Romano – so many will have missed out on beauties
like this catchy country-tinged pop rocker, which in a fair world would blare
from every radio in the land.
9. The Liminanas – ‘The Gift’ (2018)
The Liminanas’ blend of rattle and reverb rocked Rough Trade
East this week during an in-store gig promoting Shadow People. For the second album in succession they include a
track featuring the unmistakable contribution from Peter Hook and it’s a
glorious one; all low-slung, sexy pop.
10. Tara Milton – ‘Assassins’ (2018)
Former Five Thirty (okay, and Nubiles) man returns, at
long last, with Serpentine Waltz, guiding
the listener to the shadowy corners of the night. If I remember my William
Burroughs correctly, ‘Assassins’ is a nod to Hassan-i-Sabbah who, in the 11th
century, controlled an army of killers with drug addiction. The shuffling rhythm
and spiralling trumpets one of many highlights on an impressive debut solo record.
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